I am not a particularly witty man.

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23rd March 2014

Photo with 1 note

Tagged: FilmcinemaTake this Waltz

16th March 2014

Text with 1 note

Fuck every single thing about Noah and fuck every single thing about big budget films replacing POC with an all white cast.

Tagged: Noahfilmcinema

12th March 2014

Video reblogged from A Type Of Distraction. with 107 notes

(Source: harmolipi)

Tagged: A colt is my passportfilmcinema

20th February 2014

Video with 16 notes

Tagged: FilmcinemaAkira

17th February 2014

Video reblogged from The Khaleesi Of Asian Horror with 3,296 notes

(Source: kasukabe)

Tagged: filmcinemaLet The Right One In

9th February 2014

Video reblogged from Purveyor of Sin with 350 notes

Tagged: filmcinemaforbidden planet

9th February 2014

Video reblogged from Film in Film with 13 notes

Tagged: filmcinemaMoon

8th February 2014

Photo reblogged from Random times with 1,570 notes

(Source: televandalist)

Tagged: filmcinemaJason and the Argonauts

22nd January 2014

Video reblogged from Vi Veri Veniversum Vivus Vici with 1,381 notes

(Source: mashamorevna)

Tagged: filmcinemaTelevisionTrue Detective

22nd January 2014

Photo reblogged from Director | Dir. of Photo | Writer | Samurai with 10 notes

matthewacherry:

For my filmmakers and DP’s out there, here is a full list of each of the cameras and lenses used for each of the 9 best picture nominees for the Oscars this past year:
American Hustle CAMERA: ARRI Arricam LT, ARRI Arricam ST LENSES: Canon K35, Canon Standard Speed
CAPTAIN PHILLIPS CAMERAS: AATON Penelope, ARRI Alexa, ARRI Arricam LT, ARRI Arriflex 235, BEAUMONT VistaVision, CANON EOS C300, GOPRO HD Hero LENSES: ZEISS Super Speed, ANGENIEUX Optimo, NIKON Lightweight, LEICA Summilux
THE WOLF OF WALL STREET CAMERAS: ARRI Alexa Plus, ARRI Alexa Studio, ARRI Arricam LT, CANON EOS C500 LENSES: HAWK V-Lite, HAWK V-Plus, HAWK V-Series, ZEISS Master Prime, ANGENIEUX Optimo
12 YEARS A SLAVE CAMERA: ARRI Arricam LT, ARRI Arricam ST LENSES: COOKE S4, ANGENIEUX Optimo
NEBRASKA CAMERA: ARRI Alexa M, ARRI Alexa Plus 4:3 LENSES: PANAVISION C-Series, PANAVISION ATZ, PANAVISION AW22
HER CAMERA: Alexa Studio, ARRI Alexa XT, CANON C300 LENSES: COOKE Panchero, ZEISS Superspeed MK2, CANON C300
PHILOMENA CAMERA: ARRI Alexa LENSES: PANAVISION Primo
DALLAS BUYERS CLUB CAMERA: ARRI Alexa LENSES: CARL ZEISS Lenses
GRAVITY CAMERA: ARRI Alexa M, ARRI Alexa S, ARRI Arriflex 765 LENSES: PANAVISION Primo, ZEISS Master Primes, ZEISS & HASSELBLAD 765

matthewacherry:

For my filmmakers and DP’s out there, here is a full list of each of the cameras and lenses used for each of the 9 best picture nominees for the Oscars this past year:

American Hustle
CAMERA: ARRI Arricam LT, ARRI Arricam ST
LENSES: Canon K35, Canon Standard Speed

CAPTAIN PHILLIPS
CAMERAS: AATON Penelope, ARRI Alexa, ARRI Arricam LT, ARRI Arriflex 235, BEAUMONT VistaVision, CANON EOS C300, GOPRO HD Hero
LENSES: ZEISS Super Speed, ANGENIEUX Optimo, NIKON Lightweight, LEICA Summilux

THE WOLF OF WALL STREET
CAMERAS: ARRI Alexa Plus, ARRI Alexa Studio, ARRI Arricam LT, CANON EOS C500
LENSES: HAWK V-Lite, HAWK V-Plus, HAWK V-Series, ZEISS Master Prime, ANGENIEUX Optimo

12 YEARS A SLAVE
CAMERA: ARRI Arricam LT, ARRI Arricam ST
LENSES: COOKE S4, ANGENIEUX Optimo

NEBRASKA
CAMERA: ARRI Alexa M, ARRI Alexa Plus 4:3
LENSES: PANAVISION C-Series, PANAVISION ATZ, PANAVISION AW22

HER
CAMERA: Alexa Studio, ARRI Alexa XT, CANON C300
LENSES: COOKE Panchero, ZEISS Superspeed MK2, CANON C300

PHILOMENA
CAMERA: ARRI Alexa
LENSES: PANAVISION Primo

DALLAS BUYERS CLUB
CAMERA: ARRI Alexa
LENSES: CARL ZEISS Lenses

GRAVITY
CAMERA: ARRI Alexa M, ARRI Alexa S, ARRI Arriflex 765
LENSES: PANAVISION Primo, ZEISS Master Primes, ZEISS & HASSELBLAD 765

Tagged: filmcinema